Wednesday, April 4, 2012

an ode to 4:33

john cage, what do you say about indeterminacy?
how can something unexpected be presented as an organized art form?
when do we appreciate art as spontaneous and not premeditated?
is it right to claim the spontaneity as our own artistic process?
how can one take credit for the chance operation of particular variables?
how can one take credit for the action of a thing without ownership?
what sound does a sound make?
can we describe a word with sounds? a word with sounds?
who's head is to blame for the logic of the world?
what is new music?
who is to blame for expectation of every situation?
is blame a rejection of indeterminacy? is it in essence an expectation?
do you know the answers to these questions? if you dont will you answer them as if you do?
what made your ears displeased with the sound of piano keys in harmony?
what made you ears excite with the sound of speaking through a kazoo?
will you play the kazoo yourself?
is this play on language a humorous denotation?
is humor a play on words, or do words not play, only the writer?
what does dinner time sound like to you? a birthday? a fisherman smoking a cigar?
what sound does a being make when it feels tired? should she not open her mouth to yawn?
what do you say about predestination?
could it be possible that the screws perhaps fell according to their fate?
is it still chance operation if a roommate has ambushed the project but the author is not made aware?
is it still chance if you know partially what is going to happen, being that there is gravity involved?
do we know what happens when gravity is involved?

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